Tuesday, April 27, 2010

Dead Again

[Morgan Lake] Morgen's dreamscape has been somehow both more muddled and clearer of late - there were the dreams about her dad, and of calling him but not being heard, of him trying to reach her but drifting ever further away, that sort of thing, as is to be expected after running into someone she's not supposed to see for fear of running into the Technocracy's arms (again). There are the sexier dreams of Austin, or sometimes of faceless people just filling a role; she's eighteen years old, after all, and a modern girl. She might be a virgin, but she's hardly an innocent.

Tonight, though, it's nothing special - just a dream, malleable, mutable, incomprehensible. There's a lawyer and a judge, jury, but who's doing the arguing changes by the moment, and Morgan's just there, watching and listening, thinking. In this, she's an observer and for the moment? She's not a particularly interested one. It's to be expected, perhaps, when she focuses, reaches out for Autumn --

-- when she calls him to her, intentionally, for the first time.

[Autumn] Lights begin to flicker...even waver like candles in the wind. Darkness pans and expands, pulsing at first. The more she thinks of Autumn, the further the bubble of darkness expands...until oblivion. There's nothing...silence. Slowly though, candles flicker to life. The field of heat and light encompass the flame. Slowly, it resembles a menagerie of candles lit and offering guidance in the dark almost reminiscent of the ancient cathedrals were only a candle wick would guide a pilgrim's way.

Sitting amongst this circle of flame and luminescence was the lanky figure of Autumn...hair and face lacking the emo-esque look that had defined him the first time they had met. He sat with a simple acoustic guitar, playing a familiar tune to it as he sang, the voice more powerful in death then it had been in life. It was a mesmerizing octave that didn't need powers to draw others in...it was beautiful in its own right. And right now, it was just a private concert in her mind.

~she was the girl with the broadest shoulders
But she would die before i crawled over them
she is taller than i am
she knew i wouldn't mind the view there
or the altitude with a mouth full of air
she let me down and doubt came out until the now became later...~

[Morgan Lake] "You sing amazingly, you know. Jason Mraz, isn't it?" That's murmured quietly, under and through his song as she comes to sit next to him, comfortable in her dream. This one, she doesn't know well enough to sing along with him, but it's still there, the appreciation. She's not an artist, not this way; her art is in the spin of words (of facts), the ability to remain an impartial judge.

"If you'd kept it up without all the crazy deals and whatever, I bet you could have gotten somewhere. It pisses me off."

There's vehemence there, startlingly so - but she's a girl who's killed, who has blood on her hands.

"That it's all wasted, I mean."

[Autumn] Autumn pauses, fingers rested on the string but he bows his head slightly.

"...at least you get to still here it."

He looked up giving a soft smile before letting the guitar slide down to rest on his leg. He reaches over, nudging her shoulder, almost playfully.

"...you called me this time. Something's wrong, isn't it?"

[Morgan Lake] "Not . . . exactly. Not really. I don't know." She shrugs, leans back with a quiet little half-smile, thoughtful. "I failed at something - didn't try hard enough, not really. Didn't want it enough, I guess. And it's nice to have someone around my age to talk to every once in a while, even if you are a ghost, or a dream, or whatever."

There's a pause then, and she continues. "I . . . did you put some kind of mark on me somehow? Or . . . I don't know. I can do things that I couldn't before. Even when I'm awake." Which is notably different than Awake - but he's in her head. Or . . . something. Maybe he knows a bit about that, just by exposure.

[Autumn] Autumn glanced to her and gave a slight smile.

"I told you...if you needed help...I'd try to be there. Even if you're awake. But...if you don't want the help..."

He lets the intent hang in the air as his fingers rested over the strings now of the guitar, almost like holding the top of a cane as he leaned the bow back against his legs.

"...and I'm sorry to hear you failed. Maybe you just weren't ready yet. You thought you were but when it came time...you came up short. It happens."

[Morgan Lake] "Not to me, it doesn't," she answers the last, fierce. "I've never failed anything in my life, until now. Wasn't the best, sure - I've forgotten everything I ever knew about violin and was buried in second part anyway, same with choir, I only made in art club because the director let me manage the shows, it's true, but still . . ."

She shrugs, let the irritation with herself fade out (mostly); she's not a girl who's used to having to repeat herself. The worst grade she's ever gotten was a B.

"Anyway, you did say that. I guess I . . . just didn't expect it to be like that. How are you doing it? I mean, you're . . ." She pauses, then shrugs - he's dead, and in her dream. It's not the same thing as talking to some other unAwakened someone-or-other. ". . . you weren't Awakened, were you? I mean, you were a good singer, obviously, but normal other than that?"

[Autumn] "Other then the contract I made, yeah, I was 'normal'. As normal as anyone I guess other then the whole narcissistic idea that I didn't belong, that no one understood me...no one cared beyond a Facebook status."

His lips pursed slightly before the blue eyes turned to gaze at her.

"I think that's why I'm still here too. You did connect...for a moment....but it was more than anyone else had done."

He rubbed the side of his own face for a moment.

"...Awakened though...that's..one of the terms you use? Those memories I sometimes feel. I keep getting images of Harry Potter for some reason."

[Morgan Lake] "In my psychology class - just a high school class, granted, but I have - had - access to the grad school library at U of C - that was one of the things we discussed. The disconnect that so many people feel now and whether it was because of the internet or in spite of it. Sure, you can talk to people all over the world, but it's not the same as," here, she reaches out and takes his free hand, "this. And even our parents didn't have the stuff we have that makes our lives both easier and harder. It was interesting, anyway."

She hasn't let his hand go - doesn't, in fact, unless he draws attention to the fact that she's holding it.

"Anyway, yeah, Awakened is one of the terms we use. It's way more complicated than Harry Potter, though - magic doesn't work just because, and it's not easy. The world doesn't always like being manipulated that way. So, you weren't Awakened, and . . . can ghosts even do magic? I'll have to ask someone . . . do you know how you're doing it? The marking, I mean. And helping me with Ars work."

[Autumn] Autumn glances down but he doesn't pull away or make mention of it. He just offers a slightly tired smile.

"...I guess that's it...part of the reason I did it. But its not all. I have never felt I belonged anywhere with anyone really. I tried to play the part. But the funny thing is...almost a cosmic joke or irony or something...is now that I'm dead...I'm comfortable right here. Like I was meant to be here..."

He wet his lips, sighing almost before he speaks.

"...its the contract. I think what I had...I can pass on...sort of. It does make things easier...it does help you. But...there is a price, Enid...there's something you have to be wary of..."

The eyes turn to stare at her, almost concern.

"...don't let it go to your head."

[Morgan Lake] ".....huh." The 'don't let it go to your head' warning is clearly coming too late; she's curious, and as a curious, inquisitive sort of girl who's come to this point, of course she's going to test her boundaries. Of course she's going to prod a new thing until she's learned all she can about it. "I guess I get the sticking around thing, if you really feel that way. But how do you pass on a contract? I mean, theoretically, I'd have to sign or somehow give something to indicate good faith. And I certainly didn't . . . not that I mind the superpowers. God, no. But there are loopholes and things, you know - though, Mr. Stick-up-his-ass says if I mess up his contracts when I'm doing Spirit work . . . no, that only confirms it, really. I gave him a sign of good faith."

The tired look hasn't gone missed, certainly - Enid's not the most empathic and sometimes tends toward the self absorbed (what willful young mage doesn't?), but in this case, it's kind of hard to miss.

"Does it take a lot of energy to come here, or something? What makes ghosts tired?"

[Autumn] "I'm...just here."

He pauses.

"I don't know how to say it. And I don't know how its really passed on. I just know you accepted it when you accessed the ability...when you wanted...needed help. I guess its like someone inking their finger and putting it on the contract. You don't have to read the terms to take the deal. That's the best I can figure. Mine, I sorta already knew from the get-go what I was getting into..on some level."

[Morgan Lake] "So, what were you getting into? You never gave me the details on that. Other than the not dying alone thing - that I got." It's good to know these things - if she's unwittingly signed a contract, she'll fulfill it as best as she can. There are no excuses, after all; she could just as easily have not accessed that strange new thing she was fairly certain she could.

Except no, not really.

"I should probably know this, given that I'm apparently into it now, too."

[Autumn] "Well...the power I had...to draw people in...to make them listen. That's about all that was given to me. And the thing that gave me the contract? Well...it was sort of like a dream. Except I knew I was dreaming....and I was sitting at a tea table across from a white rabbit. Except..well...it would be like what Tim Burton would do if he could cross Jack Skeleton and the White Rabbit from Alice in Wonderland. It gave me the deal."

He shrugs.

"But I don't know what the payment was."

[Morgan Lake] "How did you call it? Or him, or whatever?"

[Autumn] "It found me."

He paused for a moment before he thinks.

"Imagine...that you have a hole somewhere. And nothing you try to put there fills you. I think it senses those holes...those needs and offers to fill them. And maybe the wish comes true...more then you want it too. Or maybe it works exactly like you wanted it to."

[Morgan Lake] "So what happens when the contract gets passed on to someone who doesn't have any holes? I mean . . . don't get me wrong, there are things I'm not happy about." Still, her hand is in his - now, she gives a light squeeze before letting go and brushing her hair behind her ears.

"I think that's probably the case with everyone. But there's nothing I'm so miserable about I'd sell my soul to fix it."

That's contemplated quietly, and thoughts brush over her dad, her mom and the uncles (and aunt), her best friend and first boyfriend . . . there's been a lot that she's lost, a lot that she'd be ecstatic to have back. But the nod she gives affirms what she said, as do the words that follow. "Yeah. Nothing worth that kind of deal."

[Autumn] "Well...if you don't have a hole...then maybe you'll be alright. But if you do have one...if there is somewhere in your heart...your mind...your soul...its there now."

Autumn paused a bit.

"...it could have been why you failed...if you weren't relying off just yourself."

[Morgan Lake] "No, I was. It was a test, and I don't cheat," she says firmly. "Never have, and never . . . no, I shouldn't say never. But I don't think I will - there has to be a code of ethics. And even aside from that, cheating takes the joy out of winning."

There's a shrug then, and, "So what happens if I try to call it, do you know? I want to see what it wants. Maybe I can negotiate some favorable terms or something."

[Autumn] "..I don't think that would be a wise idea."

Autumn grows pale, as if someone...or something had just danced on his grave...the eyes glanced around for a moment before he looked back to her.

"...there's one more thing..and its a big thing. When I first met it...it was no bigger then the sort of rabbit you would see in a pet store. But...I saw it one more time...a little before that night. It was as big as a kid...maybe 9 or 10 years old. And I think its still growing."

[Morgan Lake] "So it's feeding off of something, obviously. I really want to know what the price was, now - I mean, you were just a sleeper, so it's not like you were feeding it quintessence or anything. I'm going to guess that it's some kind of spirit, too, which means I'll have to hit up one of the libraries. I don't know much about spirit contracts."

She's musing, and clearly marking out possible veins of research into this, to see how she can (further) spin it to her advantage and so on. Eventually, she supposes, the best thing is probably to get rid of this white rabbit - it hardly does to have it preying on the weak, after all.

"Does it have other contracts out, too, that you know of? Maybe I could talk to other people who've dealt with it and see what they know."

[Autumn] Autumn closes his eyes...he's silent for a moment...and this his voice speaks...but its off sounding...the tone almost otherworldly as he speaks.

Down the rabbit hole
Down the rabbit hole
Tumbling and falling
All the while calling
For help that will not come

Down the rabbit hole
Down the rabbit hole
We all fell down
Some on our ass
Others on our crown


His face turns to her as he speaks the last stanza...the eyes are white...his pupils missing as if rolled back into his head.

There's no outside the hole
There's no surviving voice
We're all down here
We're all floating down here
And we're all...going to drown.

But there's no breath to take
No lungs to breathe
We're dead as dead can be
We're not coming back
We'll never be free....~


And then Autumn collapses...head clunking against the ground with a disturbing clunk as if he had cracked his skull in the motion.

[Morgan Lake] "Autumn!" It had been odd, watching him change as he recited the poem or song or whatever - down the rabbit hole, indeed - but watching him drop to the ground is something else entirely. Never mind that he's a ghost, that this is a dream, it's always bothersome to see this sort of thing happen. Particularly to someone that one sort of knows.

There's a second of hesitation (sure, she's taken first aid classes, is technically certified, but that doesn't mean she's ever had to use what she knows) before she drops to her knees next to the boy to check him over, to see if there's anything she can do for him. It's not a purely medical thing, this - even in her sleep, she knows the boy is dead.

[First things first! Per + Aware]
Dice Rolled:[ 5 d10 ] 5, 6, 7, 8, 10 (Success x 4 at target 6)

[Autumn] ...she feels....something. For a moment, she can feel it behind her eyes...thrumming in her head...and then centering in one spot...the mark...the mark on her chest...it pulses...its warm. And she can see the mark on Autumn's hand...but its ghost white now rather then blue. His skin is pale...but there's no blood coming out though by all rights there should be. And he's...breathing..of sorts. Its shallow...low...like someone in a coma or barely having wind in their lungs. But the pallor he had moments before the attack...it was gone. He looked like he was really dead again...

..then the eyes opened...wraith blue...wisps of his pupils as he said only one thing...

"...don't let it...get to your head."

------

...Morgan felt light streaming on her face...and the burning rays of morning to indicate...she was with the land of the awake now.

Monday, April 19, 2010

Hermetic Meeting

[Ashley McGowen] Hermetics and meetings go well together. They have a reputation for being the most organized Tradition, and with good reason: politics in the Order rivals ancient Rome. Or, at least, that's what they say. Ashley hasn't had much exposure to it thus far - generally her old cabal mates handed those matters.

She asked them to meet her at the chantry, and she's there early. Basil is much of the reason for her punctuality, as a matter of fact. She suspects Basil is the sort who would show up early to have something to rub her nose in: thus, a pre-emptive strike.

Ashley has taken up a spot in the meeting room and is, at the moment, reading through a large book on the root of Enochian runes. The younger Hermetic is dressed in a black pair of pants and a buttondown shirt (a dark purple) and taking care to make notes on the side on a pad of paper that appears to have been well utilized for just such a purpose.

[Basil Gillingson] She is rather correct in this assumption. The Hermetic does arrive to the meeting before it is scheduled. Almost a quarter before it is to begin, in fact. He steps inside, in his hand holding a grimoire that had a strange human flesh-like binding to it rather then traditional leather or even fabled dragon-hide as some claimed to own. He's dressed somber as always though today he is wearing a silver pin with his House sigil on the lapel of his sheepskin jacket.

He scans the room...staring at Ashley for a moment before he began to rotate around the table to take a seat that sits directly across from her own so that his gaze would rest on her for most of the meeting. Another psychological tactic to continually have the Faustian on her toes or with the sensation of being watched at all moments. Basil sat the book on the table before taking his own seat without greeting.

[Ashley McGowen] Ashley looks up when she hears Basil come into the room, and her expression suggests how very unsurprised she is to see him there. "Evening, Basil," she says, setting her pen down as he goes to take a seat.

Her eyes rest, briefly, on the book he has in his hands. The leather it's bound in is a bit paler than cow leather - well, a lot paler, as a matter of fact. Ashley eyes the gristly object with a little fascination, but doesn't inquire as to its contents. Yet. "Have you been settling into the city well?"

[Basil Gillingson] "Good day, Adept McGowen."

His tone struck out like a lash almost, as if to remind his superior of proper protocol. He watches her, his fingers bridging together to rest over the book as he stared with the dark eyes...the hawkish nose giving the aspect of a bird of prey looking for its next meal.

"A city is a city, no different from York, Cork, or London. My dwellings and my home I have managed to secure readily with the assistance of House Fortunae. So, it is going fine."

[Ashley McGowen] She hears that snap in his tone, doesn't miss how pointedly he uses her title and surname rather than the familiarity she'd used. Ashley meets his gaze and doesn't smile. Perhaps she's irritated with him. Perhaps she's reminding herself that he's from Europe and they observe stricter formalities in many places there.

"Glad to hear it," she says. "And I heard you met my apprentice, so the only person here you won't be familiar with is Solomon Quicksilver. I thought we all might benefit from getting to know each other." Ashley isn't the type to smalltalk - her demeanor is not exactly a chatty one - so chances are she has other driving goals behind this too.

[Basil Gillingson] "Ah...yes...your apprentice. Did she inquire on the Second Massassa War with you?"

Basil this time does show something on his expression...the tips of his lips almost seem to smile. The look was unusual on Basil and there seemed to be nothing but sadistic mirth in that expression as the Quaesitor watched Ashley. It was likely that Basil had told her apprentice on it on purpose for a later confrontation on it like today..or perhaps he was using it merely to indicate painful history between their Houses. Either case, it was a thorough reminder of the political machinations a full member of the Order was capable of doing.

It also spoke volumes to how long Basil had been 'playing the game'...the move, simple as it was, was rather effective in a number of other ways for the future as well beyond this conversation.

[Ashley McGowen] "No, she hasn't. I don't have any first hand experience anyway. I was only an apprentice at the time," she says. The look she is giving Basil suggests that she would like to pin him in place in the chair with just her eyes, if she could.

It does speak to how long Basil's been around. She had somewhat suspected this, though, given his age. Given a few of the things Susannah said. "Did you sit some of the trials?"

[Basil Gillingson] "No. I have reviewed cases as well as assisted in garnishing evidence but I was never involved in the trials. The House saw fit to detain me for other reasons."

Basil kept that same stare, only blinking when necessary as his bridged fingers lifted to prop under his chin. His head cocked slightly as he spoke.

"But I was not saying first hand experience but rather the contents of the War itself. She seems to be pursuing law...possibly membership into my House by the sound of her goals. You should caution her on the conditions of such and what they bring with them. She's...naive."

[Ashley McGowen] "Of course she's naive. She's seventeen," Ashley says, directing a frown toward him. "I don't think she has that many illusions about things she might be required to do. Even if she does...I trust her to be Willful enough to deal with whatever unpleasant realities there are, and to be able to become what she wants to be regardless." She's mentored by a Tytalan after all: regardless of where she ends up, it's likely that she'll have been given a thorough schooling in growth through adversity.

Ashley leans back in her chair, tapping her pen against the pad of paper for a few moments as she looks across the table at him.

"She's talked a lot about wanting to go into law once she gets older," Ashley says, "and I thought Quaesitor might be a good fit. She doesn't really have many inclinations toward the Ars Mentis, either, which would hamper her in Tytalus."

[Basil Gillingson] "It could hamper her in Quaesitor as well as Ars Mentis is one of the usual arts attributed to my House. Granted, if she has an affinity for Ars Mane...they might overlook that flaw."

The bridge of his fingers press against his lips, hiding the sardonic smirk he had earlier as he takes a contemplative expression, his eyes not directly on her.

"Perhaps Fortunae could use her skills as well...I imagine they would love to have an attorney on hand."

[Ashley McGowen] Ashley looks over at him and actually quirks a grin at the suggestion. "They might. She hasn't really shown a lot of interest in anything like that so far, though. But I think she is working on expanding her knowledge of the Ars Spirituum."

She looks at him for a second, meets his eyes with an almost questioning expression. She certainly hasn't attempted such things: most Tytali haven't, after Faust. After its use has permanently placed a black mark on the reputation of the house.

"I can't teach her much about it. But if she has aspirations in Quaesitor, I think it'd be beneficial for her to talk with you more."

[Basil Gillingson] Basil paused, the eyes losing the contemplative tinge and staring at Ashley.

"If I do teach her anything, I will consider it a favor to you, Adept McGowen."

Nothing in this life was free and Basil would extort something from her at a later time...but such was the way with garnering a mentor for an apprentice...because in the end, Morgan / Enid was the apprentice to her.

"But...I would be willing as long as she doesn't bungle any of my current contracts."

[Ashley McGowen] "Done." She's used to such favor-trading: it's a common practice among most Hermetics, given the political nature of the Tradition. Given how very egocentric most of its members are, they're almost expected to be self-interested to a certain extent. It's how one gets by.

"I'd much rather have her learning from you than from the Dreamspeakers or the Euthanatos." Even if she is cabaled with them. It doesn't mean she sees entirely eye to eye with them, or thinks the methodology they'd pass along to her apprentice would be appropriate. "I'm sure I'd have things I could teach you in return, if you're thinking along those lines."

[Basil Gillingson] "We shall see. For now, my studies are focused towards Ars Mane and there is little you could teach me in that, I am quite sure, Adept McGowen."

Basil then leaned back, his hand moving to reach inside his jacket...before a silver fob watch was pulled from the inside. He paused, looking at it and sighing.

"It would seem your apprentice as well as the other one are very adept at being late for a scheduled meeting."

The British way of saying schedule was rather clear, rolling off his tongue.

[Ashley McGowen] "Do you have somewhere to be?" Ashley asks him, spinning the pen between two fingers and glancing back at him over the table. She doesn't seem terribly annoyed; magi are rarely the most punctual of beings, and she can be surprisingly patient. When she wants to be.

"They both have to walk around town, for the most part. I'm sure they just got held up and they'll be here shortly."

[Basil Gillingson] "Its not an endearing trait."

He says flatly before sliding the piece away. He decides to preoccupy himself by opening the grimoire and beginning to read. Even from upside down, its obvious that much of the text is etched in Enochian phrases rather then the standard Latin that most would assume would be in such tomes.

[Ashley McGowen] Ashley gives him a few seconds to devote to the grimoire. Just enough time to open it, to find his page again, to settle back into the words and get back into the proper mindset. She eyes the binding, again with that curiosity (hunger.) Then, "What are you reading?" cuts through Basil's concentration like a knife.

One just might suspect that she's -trying- to irritate him.

[Morgan Lake] And lo - Morgan's ears are surely burning, considering how much talking has been done about her. Her cheeks certainly are by the time she bustles into the room, a bit chilled from being outside in the early spring evening. She wears jeans and a hooded sweatshirt with a flash of color at her neck where surely there's a t-shirt underneath; she looks every inch the soon-to-be collegiate, it must be said. There are no effusions of excuses, simply a nod for each of the elder mages (Ashley [Adept] first, then Basil).

"Sorry I'm late," she says, hoisting the laptop bag from where it had run left shoulder to right hip - it's to heavy for there to be only a laptop in there, so surely she was at some library or bookstore before coming here. "Hello."

[Basil Gillingson] He glances up to Ashley, about to say something but then Morgan walks in. Whatever ire he might have had for McGowen, he now had a new target.

"I am glad to see that the Apprentice has had time to come and see her superiors in her schedule. I do hope this meeting was not an inconvenience for you, Initiate Lake."

[Ashley McGowen] "Hello, Morgan. Do we have an ETA on Solomon?" Ashley asks the girl as she walks into the room. Basil, when he reprimands the girl, gets a dirty look - though the reprimand evidently wasn't severe enough to provoke the Tytalan into asserting herself.

"Go ahead and sit." Ashley and Basil are seated across from one another at the table. A staredown, of sorts.

[Morgan Lake] This reprimand actually gets Morgan's posture pulls to that not-quite-rigid straightness that Ashley sees rarely, but Basil'd seen the only other time they met. The expression on her face changes only slightly - a twist of lips, perhaps, or a set of her eyes. It's difficult to pin down, but she doesn't back-talk, but does give answer - to that, before she answers Ashley even.

"I did apologize, Mr. Gillingson. While I understand it may be inadequate as far as you're concerned, there's little I can do about it now." There's a huff of breath and hair tucked back behind her ears now, as her attention turns to her mentor - who gets a smile. Morgan is ever pleased to see Ashley. "I don't know. I've been out most of the day, studying and working on things."

When she's offered a seat, she takes one - closer to Ashley than Basil, but between the two rather than clearly on one side or the other. She's not staring anyone down.

[Basil Gillingson] "I would be careful in taking a tone with me, Practicus Lake. You won't like the results of such manners with me. Especially given your coming future."

Basil gave that smile again....that glimmer of sadistic charm that etched into a facsimile of emotion as he stared at her now. Then his eyes looked to Ashley as he knew the mentor would be the one to break 'bad news'.

[Ashley McGowen] "Mr. Gillingson is going to be schooling you in the Ars Spirituum, Morgan," Ashley says, with a sidelong glance toward her apprentice as the girl takes a seat. There aren't smiles today: this is a meeting of like minds, and one in which Ashley is likely to be viewed as the most senior member, given Solomon's age and relative inexperience. It's all business. "Since you've shown an interest in heading into Quaesitor."

She sets down her pen again, redirecting her gaze once more to Basil. "I'm sure you'll learn a lot from him, particularly since we all understand the need for Tradition solidarity in the city."

[Morgan Lake] And Enid is its most junior member (but this is nothing new, in this setting or any other), which doesn't bother her at all. She nods, the smile gone as quickly as it came, and crosses her legs in front of her at the ankle, stretched out below the table. "Alright, then. I'll do my best to be a good student and a quick study. And no doubt I will learn a lot."

Which is, of course, what Ashley knows of her anyway; the girl learns by leaps and bounds. And it's not that Basil's warning goes ignored so much as they're bound to disagree on it, and so Morgan lets it go easily (which isn't always the case). There's no advantage to holding onto such things now. And of course she knows that such a favor hadn't come free - nothing ever does. Still . . .

"Thank you, Mr. Gillingson, for agreeing to take me on."

[Solomon Quicksilver]
Dice Rolled:[ 4 d10 ] 1, 4, 5, 5 (Botch x 1 at target 8)

[Basil Gillingson] He just nods.

"Just be studious and do not annoy the Umbrood that I am dealing with. Otherwise, you shall quickly find yourself having to fulfill the contracts for me to regain their favor."

Basil then turns to Ashley.

"Now we wait on one other."

[Solomon Quicksilver] A Hermetic meeting. A somewhat frightening prospect, especially for younger members of the Tradition. He was just a boy in appearance. Late teens probably. But as with many things, involving mages, looks are often deceiving. He arrives at the Chantry in a suit. He thought sometimes, it was best to dress up. Dress to impress.

His flat soled shiny black shoes hit the porch of the Chantry. Solomon paused there. Resting a hand on one of the columns for the porch. He closed his eyes. Reached back into his mind quietly. Breathing steadily, while focusing elsewhere. He wanted a little extra juice for this meeting. He'd heard about the... new arrival.

And he finds it. His eyes snap open. He looks down at himself for a moment as though he doesn't recognize himself. Smiling softly. His hands come up in front of his face. Turn slowly one way, then another. Brush down over the front of his black suit jacket, his deep red tie, and black shirt. The muscles of his face straighten. Aligning into a thin smile. Yes. It'd do.

Then he stepped into the chantry. Feet clonking on the solid wood flooring until he appears in the doorway to the meeting room and pauses. Straight backed. Quite a different Solomon than Morgan or Ashley were used to. Dressed up. A stern straight lipped look on his face. Hair swept back behind his ears. Posture painfully erect.

"Hello."

[Ashley McGowen] What Solomon finds in the meeting room is the three other Hermetics, already seated: Basil and Ashley sitting across from each other. As though staring each other down (as has happened several times already while they've been in the room together.) Morgan sitting between them.

Ashley, who is dressed in a black pair of pants and a dark purple buttondown shirt - casual business dress - raises her eyebrows when she sees the boy walk in wearing a suit. "Hey, Solomon," she says, choosing not to comment on the fact that he's chosen to be so formal. Doubtlessly Morgan, in her collegiate dress, probably feels a little awkward right about now. "Go ahead and have a seat."

She waits for him to settle himself, then gestures toward Basil. "I don't think you two have met, have you?"

[Morgan Lake] "I will," she answers Basil, and the 'of course' is left implied rather than said.

This is spoken as Solomon enters, and Morgan's eyes flick over him briefly; an eyebrow raises, but that's the only indication given that anything's out of the ordinary. "Hello, Solomon." There's a formality about her that's never there - her posture is always good but this is different, somehow, despite the stretch of long legs under the table.

She does feel out of place, it must be said - but clothes shopping hadn't been high on the list of priorities when she regained control of her assets and had to begin spending them in ways for which they weren't intended. First had been the laptop, of course - well, after she paid Emily for her phone (or tried to), and for whatever her part of the bill was. So, collegiate casual is what she has to her name - well, that and running clothes, which actually had been high on the priority list but would be even less appropriate than what she's wearing.

[Basil Gillingson] Basil was not dressed to the nines, as it were. In fact, he looked like he could fit at a club or leisurely reading a novel in a book store. Even sitting in a Starbucks. His eyes drifted towards Solomon. One would think that meeting a new person, Basil would be charming...polite...endearing. They would be wrong.

"You are late. Even later then the Practicus. That does not speak well of your character. That implies many other characteristics to you though..."

The judging eye of the Quaesitor stared at Solomon before he spoke.

"We have not met. I am Initiate Exemptus Basil Gillingson bani Quaesitor, Walker of the Tartan Pit, the Seventh White Lightning Strike of Jorvika, Jupiter's Prodigy, and Thrice-Proved Scion of the Halls of Rezhark."

He does not rise to offer his hand, instead leaving his palm resting on the flesh-tinged hide of his grimoire.

[Solomon Quicksilver] He pauses at the threshold to the room. His brown eyes swivel to meet Ashley's. There's that sense, she sometimes gets, and that Morgan often comments on, that there's someone much older behind those eyes than the lack of wrinkles around them would suggest. His eyebrows raise fractionally. Then his eyes drift down over himself. Staring down his front a moment. It's a slight twitch of his hands, out and forward, to look at them again. He murmurs, "Mm, yes, Solomon." To himself.

Then he snaps his eyes back up. Flicks them briefly over Morgan. Around to Basil. "No, we have not."

Basil's eyes are met with a similarly hard stare. There's rigidity, a lack of flexibility, someone well set in his ways. He doesn't seem to judge, but it feels like he's assessing Basil for a moment. And then disinterest.

He takes a few clacking steps in his dress shoes. The thick heels of his dress shoes knocking a steady rhythm in the wood of the floor as he moves around to stand behind the chair at the other end of the table. Across from Morgan. Sideways to Basil and Ashley.

His eyes flick to Ashley. "Or perhaps you were early. But your attempt to put me at disadvantage with insult is noted." He smiles thinly at Basil. His slender hands wrap over the back of the chair. Rest there.

"I am Adept Solomon Firebra-" He pauses. Coughs. "Solomon Blackstone Quicksilver." His voice slow and grave. "Vessel of Souls, Keeper of Blackstone Castle, Bani Bonisagus." A pause. His eyes fixing on Basil for a moment. "And your senior." He smiles thinly. "Remember that."

Then in a flourish, he withdraws the chair, steps around it neatly, draws it in against his calves and sits down. Folding his hands on the table in a fist in front of him.

[Ashley McGowen] Basil reaches 'the Seventh White Lightning Strike of Jorvika' and Ashley's hand raises to cover her mouth. Ostensibly to tug at her lower lip as she looks down at her book, still open there on the table. Now that Solomon is in the room she shuts it, pushing it aside. "Proved -three- times," she tells the other Adept. Solemn.

That he seems a little odd today has not gone unnoticed, and so Solomon gets a questioning look as he folds his hands on the table. He's explained his Awakening to her though, and so there is some understanding of what might be going on, even behind the inquiry.

"All right," she says, with a look at the other three. "I called everyone here for a couple of reasons. The fact that we weren't all acquainted was a problem. Now fixed. The second thing is this...I want a strong Hermetic foothold here while the chantry in Chicago is still establishing itself. I want to establish an official Hermetic chapter here, and a means of communication between the four of us and any new members that come to the city. We need a chapter house, for that...which would hopefully also serve as a place to go to ground if something were to happen to the chantry again."

There's a pause as she reaches up and scratches her jaw, looking between the other pairs of eyes in the room. "Questions? Suggestions?"

[Morgan Lake] Politics. Morgan has little to say about all of this, and so she stays quiet for the moment, but let us not think for a moment that she isn't listening, watching. She knows the degrees, the titles, knows who's the senior of whom here, despite the (deceiving) apparent ages. But thus far, she's not been in a situation where it particularly mattered, and she finds herself terribly curious. She's watching, absorbing.

[weighing.precedent(assessing.verity)]

And of course, Solomon's trip on his name hasn't gone unnoticed, but then 'Morgan' is still new to her - nearly as often as not she begins with a long E, still, and has to correct herself in introductions. Then, quickly, it's down to business and Morgan doesn't so much as blink with the shift, but takes it in stride. (Redirect, your honor.) The question of a chapter house gets a raised eyebrow glance shot Solomon's way, questioning - but it's not her [home] house, so she doesn't volunteer.

"To which mother-house would we owe allegiance, if any, or will there be an attempt to turn our chapter-house into such if and when our numbers grow? How will our Tribunal be chartered?" Those are two rather big questions to start with - and who knew that she'd delved into such things? This area of study hasn't been shared with Ashley yet, even.

[Basil Gillingson] Basil arched a brow at Ashley when the title of Adept is leveled....he didn't recall anything about another adept being here but he looks towards Solomon.

"Yes, my superior in many things, I am sure...except my House's jurisdiction. Regardless...I am in support of a chapter house though I do not possess resources to fund such a venture. Your proposal, Adept McGowen?"

He bridges his fingers together as the elder Hermetic watched the three but primarily Ashley herself.

[Morgan Lake] ((My AIM is apparently made of fail tonight. Court79Cat if anyone needs me.))
to Ashley McGowen, Basil Gillingson, owl, Solomon Quicksilver

[Solomon Quicksilver] His eyes meet Ashley's. And one eyebrow raises a fraction. As though wondering exactly what her questioning glance were all about. Then his eyes flick between Basil and Morgan. Does he roll his eyes a little at Basil's remark? Perhaps. And he doesn't seem to acknowledge Morgan's look.

He returns the look at Ashley, as he speaks. "You both know of Blackstone Castle, I believe." Flicking a glance back and forth between Morgan and Ashley now. Steady, brown eyes. A tired look on his face. "It has been in my hands for generations. I do not see a reason to share it." Brow raising a fraction again. "If that is what you were both, I assume, thinking."

[Ashley McGowen] There's a look toward Morgan. A little surprised, perhaps, but more likely pleased; she really hadn't been aware that the girl had been delving into political studies, but maybe it shouldn't surprise her. "As of right now, I think we're too small to consider owing allegiance to a mother-house. If our numbers grow that might change. I intend to arrange the Tribunal so that any major decision we make - if any, right now - is done by vote. It's worked for past Tribunals and it works well in Tytalus."

Basil asks about the chapter house, and then Solomon speaks before she can reply. She looks over at him, and a frown touches between her brows. Just for a moment. "I didn't assume anything," she tells him, "since it's your home. But I'd hoped you'd recognize the benefits of allowing at least one of its rooms to be used. Better wards, since each of us specialize in different Ars, and possibly a common library, for example. Not to mention the status if and when the chapter grows in size."

[Basil Gillingson] (Guys....I need to bail...assume Basil would have listened in and said he will contemplate before agreeing to something.)

[Morgan Lake] "We'll need to establish a covenant," is the last out of Morgan - whether or not they use Solomon's house, this seems to be the thing that most of them want. Better to be with them from the start than to argue against they way they seem to be going.

[Solomon Quicksilver] (Okay Gaki, have fun man. Sorry I didn't get on earlier)

[Morgan Lake] ((I actually need to go pretty soon, too. Midnight on a school night and all.))

[Solomon Quicksilver] He stares across the table quietly at Ashley for a moment. Considering. A hand comes up, as though to stroke a beard, and grasps at empty air. His brows raise slightly, he looks down for a moment, then drops his hand away and sits up straighter.

"That's true." His hands writhe together for a moment, getting a tighter grip on each other. Then loosening. "There is enough room there for one room... perhaps." He tilts his head, looks away a moment. A stray lock of hair falls free from one ear and drifts into his vision. He reaches up and swats it away, tucking it back, with an irritated gesture. "And if it were established... I believe I would be an excellent Praeco."

Returning his gaze to Ashley.

[Ashley McGowen] She looks at Solomon, that furrow between her eyes appearing once more as he says there might be enough for one room. The Tytalan raises a hand, resting her jaw in the L shape formed between thumb and forefinger. "So far you've been pretty uninvolved in city politics and events, Solomon," she says. "Which we need. So I'd also put myself forward."

She eyes him for a second more. "Either way, the position should go to the strongest of us here, and I wouldn't let you go unchallenged even if I agreed on your appointment. It might be better to decide it in open certamen, if we had a circle."

Which they don't, as yet. "If you're unwilling to lend Blackstone Castle, I'd be more than happy to see if I could divert funds into establishing a house."

[Morgan Lake] There's hesitation here, but it's slight - with the establishment of her new identity, Morgan'd been able to apply for some merit-based scholarships that she hadn't bothered with before, since her tuition, room and board were paid for, so it leaves her a little play in her accounts. "I would contribute as well, of course. And, since there are four of us and any votes could well end in a tie, I would like to nominate Kage Jakes as a tie breaking vote." Again, a hint of hesitation, followed by, "If I'm not overstepping any bounds, that is."

[Solomon Quicksilver] He stares back at Ashley. Unperturbed, apparently. Smiling thinly. "Yes, your sort are like that." He leans back in his chair a moment. Considers her for that time. Then flicks a glance at the other two. "If we had a circle, yes, that might be possible." His folded hands shift a little, fingers sliding between fingers.

"I..." He tilts his head and turns it off to one side. As though hearing or seeing something, in the next room, that no one else does. "I do not believe I know of one in the area." A slight frown etches his lips, crinkles the edges of his eyes, then smooths away.

"But I am... willing to offer Blackstone Castle with some conditions..." Then he turns his head back to face them.

[Ashley McGowen] "Kage is an orphan. It would be highly inappropriate for her to have a deciding vote in Order business. How do you expect a non-Hermetic to know which of us is appropriate to represent the Tradition in the city?" Ashley asks, with a sidelong look toward Morgan. And a frown. Kage and Ashley are friends (are they?) but there is still a strict divide between them when it comes to matters of Tradition, all told.

Solomon says he'll lend the castle with conditions, and Ashley looks back over at him and considers. "What are those?" A pause. "And I'm sure we could locate a circle. Possibly not too far out of Chicago, even. I think it's the best way...not enough people here for an actual vote. Or a fair one."

[Morgan Lake] "Kage knows everyone involved, I do believe, and while she may not have the firmest grasp on Order politics, she does know who will be most accepted by the rest of the city, which may well be important as we grow. Orphan, yes. Knowledgeable, also yes. My secondary suggestion would be Wharil, but the same issues apply to him and some others as well."

She shrugs, and a glance moves from Ashley to Solomon and back - Basil is listening, she knows, but that's all he's doing for now. "Without that vote, we have the potential for being stalemated for goodness knows how long, which limits our efficiency and potential both. Obviously it's not a thing that needs to be decided tonight, but it is one we'll need to consider before too long."

[Solomon Quicksilver] "Yes, there may be one..." Murmured faintly. To himself. Then he abruptly brings his gaze back to Morgan and Ashley.

"An Orphan? Deciding the moves of the Hermetics in Chicago? I think not." Coldly slapping down Morgan's suggestion. His tone dry, and maybe a little scornful.

"As for conditions." Looking back to Ashley. "I will have to consider. Greater safety in one room and any prestige that comes from having such a house within my own, will have to be weighed against the lack of security and possible new threats that could assail my home."

[Ashley McGowen] "Order business is Order business," Ashley says, shaking her head as Morgan continues. "The person that's going to lead us isn't for the member of another Tradition to decide." There's a look in her apprentice's direction. It isn't that Ashley doesn't recognize what Morgan is trying to do - it's that Morgan's suggestion seems to have run afoul of Ashley's bizarre-but-present sense of ethics.

Another look toward Solomon. "Give us your conditions when you have them together, then. If they're unsuitable, we'll find another means. As for settling who should be Praeco...I think in the absence of a circle, we should take a vote here and, assuming there is a tie, find some other challenge to settle it."

[Morgan Lake] Morgan shrugs, and nods - it's not a thing she's taking personally, this denial of her suggestion. She is, after all, an apprentice in the company of Adepts. From what she's read (and goodness knows, she's read a lot), she may well be lucky that all that's come of her audacity is being told no. So from here, it's watching and listening.

[Solomon Quicksilver] He gave her a steady look. Smiling thinly at Ashley. Cold hard brown eyes. A look that she's never gotten from Solomon. His fingers twitch. And he tilts his head a little. Almost birdlike. His voice becoming laced with false friendliness. "But this one..." Flicking a glance to Morgan. "Is your apprentice. And may be swayed by the natural attachment, or animosity, that forms between Pater and Apprentice. I am not sure that would be a 'fair' vote, as you say."

He leans back again. "But I am willing to commit to... some sort of challenge."

[Morgan Lake] An eyebrow raises at this, and Morgan speaks, clear. She's rarely been lacking in confidence, this girl, but there's something new there, now, a lightness (and weight) of truth. "Are you questioning my ethics, Solomon? Were I incapable of setting my feelings for my mentor aside for this sort of thing, I would abstain. But as it stands, my feelings have little bearing on the matter at hand."

Friday, April 16, 2010

Judgement

[the court] It must have been during her studies at Ashley's that Morgan fell asleep. She still feels more comfortable here than in Solomon's big empty house: maybe that's why. And for all intents and purposes, all it is, or seems to be, when her eyelids grow heavy, is a normal nap.

The first thing that wakes her is the smell of smoke. Not just smoke: burning wood, burning paper, and the more acrid smells of chemicals and plastics and leather (flesh?). When she wakes up she can barely see anything around her, so clogged is the air with smoke, and she can feel the heat pressing into her lungs, searing them.

She's not burning yet, but it's so hot it's hard to tell exactly where the flames are. Once in a while she can see a flicker through the haze, tongues licking their way up the walls or a cinder of paper fluttering its way from the shelves to the floor. Hot ash. She can hear no voices, can't hear a panicked dog trying to fight his way out. It's still in here.

Dimly she can remember her mother telling her as a child what she should do if there was a house fire. Crawl on her hands and knees to get down out of the smoke and find the nearest exit. To always feel a door with the back of her hand instead of her palm. To get a wet cloth and wrap it around her face if she could, but she isn't sure she could reach the kitchen and get the water unscathed with things as they are.

One thing Morgan knows for certain is this: she has to get out, and she is alone.

[Morgan Lake] She's alone. This is a good thing, because as much as Morgan loves Ashley, as fond as she is of Zane, she's no lifesaver. She's not even a caregiver, when all is said and done. There is, of course, the bit of panic licking at her that comes in this sort of situation (as if she's ever been in it, as if she'd know what happens in them, aside from what she's read). She has no idea where the flames are, what lit, and frankly?

It's the books she's worried about.
And the picture of Ashley's dad, but that's a distant, quiet thing.

Regardless, she's up. What she's been working with is gathered, cradled in one arm as she gets down as low as she can to make her way to the door - yes, to feel with the back of her hand, to test both wood and knob before trying to open it.

[the court] The door opens, and the outside is clouded with smoke. Smoke and heat swirls out of the apartment as she opens the door, as though sucked through a vacuum, and she can't see what's waiting for her outside. The hallway of Ashley's apartment, one would presume. Perhaps the entire building is on fire.

But it's not the rough berber carpet of the hallway she feels beneath her palm when she crawls outside. It's grass, partially withered from the heat within, the sort of crunchy brown texture it gets in the summer. Once or twice she places her hand flat on a strand that's lit up like tinder and it stings her skin, leaving a little patch that will probably blister later.

As she crawls farther, it becomes easier to breathe. Easier to see as the smoke begins to dissipate, because she's aware that there's a light breeze: something cool, like a wet cloth her mother would put against her skin when she had a fever as a child. A little farther.

A little farther, and there's broken stone beneath her hands. Crumbling flagstone, like a kingsroad. Like something laid down for thousands of travelers, thousands of carts and wagons and worn down by feet and hooves.

It clears, and she's in a forest. Behind her a tower burns.

[Morgan Lake] She's in a forest and behind her a tower burns - in theory, she has the books she'd been working from and her laptop, but if not? Well, this is sufficiently surreal (curiouser and curiouser) to have her all but forgetting what should be in her arm. She certainly hadn't expected to leave Ashley's apartment and find herself on a kingsroad, then in a forest.

There are stranger things on heaven and earth, Morgan, than are dreamt of in your philosophy.

The tower is eyed for a moment, watched, and then her senses are turned to the forest around her - all of her senses, not just the mundane.

[Per + Aware]
Dice Rolled:[ 5 d10 ] 1, 2, 3, 7, 9 (Success x 1 at target 6)

[the court] Morgan can't sense any magic around her, save Ashley's resonance there behind her in the tower. It's the familiar, hungry sensation, and coupled with the tower it calls very much to mind medieval wizardry. Something that lords over the countryside and provides order and structure and reality: for a price.

Around her it does indeed just seem to be a simple wood. There's the kingsroad that goes to either side, and she can feel a push at the back of her mind, from the bottom of her soul, that wants to wander down the road. To either side, really.

She just wants to go somewhere. There is no one here to tell her what to do, no expectations to meet, and no sign of her mentor or many of the adults she would look to in her day to day life. For all she knows they're burning behind her.

[Morgan Lake] For all she knows, they're burning behind her, which is a disturbing thought - she's indifferent to the sleepers who live in Ashley's building for the most part (though there is that guy who winks at her sometimes, and that's an amusing thing), but the thought of Ashley or Zane burning (or asphyxiating) is not a pleasant one.

That this is taking more thought than it should, she knows.

Her arms wrap around her middle briefly and she chews her lip, looking back at the building (so many books, so many lives, and isn't it funny how her priorities have shifted?) as it burns. Water of some sort. Or a phone. Or a fire station. Any of these things would be good, but still, at the back of her mind, there's that push. When it comes to anything academic, Morgan is a thinker, a planner.

But this? Well, going back doesn't seem the thing to do. So, it's a right turn, and she's [off to see the wizard] heading down the kingsroad.

[the court] Morgan walks down the kingsroad, and behind her the tower burns. As she walks she becomes aware of small burns on her arms and legs, areas the fire didn't quite scorch but got too near to, kissed her skin. Her clothes are cinders in several places. They flake and fall away and threaten to rip, much like they did in that other night in the sewers when she was caught in some of Ashley's errant flames.

The laptop that was in her arms is not a laptop anymore; it's a book. A massive volume a little charred on the edge from the flames, but still full of writing. Most of it looks like Ashley's: notes on the workings of magic. Morgan can see a few places, however, where it looks as though she's penned in her own questions. Perhaps her arguments. And in the back there are blank pages where it looks as though she's beginning to make her own entries.

The smoke seems to follow her, and she realizes she's downwind from the burning tower. Perhaps she has further doubts, the longer she goes down the path. She's alone out here, and there could be any number of things hidden in those trees. Assuming it's a medieval wood, there are animals. Worse, there are men. Highwaymen, for certain. Perhaps others that would mean harm to a girl wandering alone.

She can't see any cities or signs of familiar architecture. No wooden posts or anything to mark her path, and it's getting to be late evening.

[Morgan Lake] Downwind means that, if the forest is dry enough and the wind strong enough, the fire could follow her; for all that she's been on at least one camping trip a year as long as she can remember, she hadn't taken this into consideration. And yes, there's the question of what might happen were she found alone on a kingsroad (is this really a medieval forest? This thought gives her pause, and causes her to look down at her clothes to see if what remains between singed places is appropriate for any particular time period of her own - she's a pop culture queen and has seen films like that, after all) as evening falls by someone with bad intent.

Highwaymen! Brigands! Some bit of her is quite distracted by this, by the romanticized versions found in books and similar sources. But really, Morgan has more sense about her than that.

Animals aren't that disturbing of a thought, perhaps oddly - her general thought is they'd have headed away from the smoke already, and probably in the other direction. Also, that she doesn't smell like food, so maybe the ones left will leave her alone. Just in case, though, she takes a few steps from the road to find a hefty branch to use as a torch as it gets darker, and a weapon (not that she has much idea what to do with such a thing other than use it as a bat, which requires two hands) if it becomes necessary.

[the court] Morgan easily finds a branch in the woods, one that is large and heavy and will probably burn for a long time, and is heavy enough to do some serious damage if she swings it besides. Then...it's there, and she has it in her hands, and it's unlit.

And the forest is still dark. There could be any number of things out there, watching and waiting, and even with the torch in hand she might not know until it was nearly upon her.

[Morgan Lake] The forest is still dark, but what Hermetic apprentice worth her salt doesn't carry at least one way of making fire, one of the more well known tricks of their trade? She may be studying under a Tytalus and have a disposition that may well land her in Quaesitor, but still. The book doesn't get set down but does get clenched between her knees, and she fumbles in her pocket for one of the two lighters there (cheap bics). Keeping in mind that the wood is probably green, she rips some fabric off of a convenient bit of clothes to wrap around the thicker end, tying it as best she can.

This is when all that fantasy she's read, all that immersion in Arthurian mythology, comes in handy.

The fabric gets lit carefully, and this gives her a start on something like normalcy. Morgan is used to the bright lights of the Mile, after all, to light and sound pollution amongst everything else. This is strange and a bit unnerving. And so she listens, while she's still, and then draws her wand from where it's been tucked away (she wears carpenter pants with extra pockets and loops more now than she ever has in her life) to trace in the dirt nearest her, a quick and clumsy map, and to reach out to see what she can find.

[Multiple rolls coming, Per + Aware first!]
Dice Rolled:[ 5 d10 ] 1, 2, 5, 9, 10 (Success x 1 at target 6)

[Morgan Lake] [Per + Alert]
Dice Rolled:[ 5 d10 ] 1, 2, 6, 8, 10 (Success x 2 at target 6)

[Morgan Lake] [Corr 1 whereami, coincidental, -1 focus, -1 taking time, +WP]
Dice Rolled:[ 1 d10 ] 5 (Success x 2 at target 3) [WP]

[the court] Morgan is able to use her Bics to get the branch to light. It smokes, and the smell coming away from her burning clothing is decidedly unpleasant, but the branch doesn't appear to have been as green as she'd feared. It was one of the older ones lying on the forest floor - there were many, after all.

It illuminates the part of the woods that are growing dark, and she leans down to sketch the map in the dust. From where she's been she can get a sense of where she's going, and that in turn helps her get a better idea of where she is.

What she knows is this: there is a tower behind her, the flames still lighting up the sky, and a road to either side, but beyond that she is not sure. This doesn't appear to be a world anywhere like Chicago, or anywhere she would have imagined finding herself before. It's a fantasy, or a dream, or maybe she's finding herself in one of those other worlds like Ashley described when she explained her odd little violin.

[Morgan Lake] Well then. The wand is tucked back in its handy pocket and the book collected from between her knees, and she continues - at a good clip, efficient. Were it not for the need to carry light with her, she'd run, but as it is? There's all this strangeness around her, and she's rather pleased to have the time to experience it.

It's quiet, from what she can tell - which is to say it's really a very different sort of loud than she's used to. There's no one on this road headed from one club to the next, but there are owl calls and crickets and goodness knows what else. It's more than a little odd for the city girl who found herself suddenly transported, with no time to prepare. There's no sound of water, yet, no sign of a city (or tavern, or . . . whatever it is that they have in medieval . . . fiefs. A glance back checks for the orange glow of the tower-on-fire (people falling out, lighting [change, for better or worse]), and then she's moving forward again at that efficient, ground-eating pace.

There are no turns, no doors, or anything!

[the court] Morgan is walking along at a good rate, and yet it isn't getting any darker. Just dim enough to be disconcerting: it's a land of constant twilight, of a dark threatening to come even though it never does. Still, she's probably grateful for the light of the torch anyway. There's no change in the tower behind her, though the flames are dying both with distance and as they lack things to feed them. There is one point when she looks back and it's nothing but a charred husk, still smoking and glowing in a few places.

Eventually it fades from sight too.

As she walks, she gradually becomes aware of a vein of smoke not too distant, as from a hearth or a bonfire. And, to her right, there's a field. There aren't any workers in it yet - perhaps they've gone home and gone to bed - but there don't seem to be any crops growing, either. Just withered plants.

Then, voices. They still sound like whispers, but she can hear people yelling, one or two voices raised and calling for attention. She still can't make out words.

[Morgan Lake] This is interesting; her torch is stubbed out in the dirt but saved, just in case, and she moves quietly closer so she can hear what's being said. It's not that she's a spy, of course, or a sneak - but she wants to be sure they're speaking English before she barges into the conversation, and she might hear something that will help her out in the process.

[the court] As she moves closer, the source of the racket becomes clear. There's a cluster of dwellings up ahead: what passes for a village. A hamlet, really, with all of the buildings one would expect a self-sufficient group of people to have. And, in front of those dwellings, closer to the field, there is a large group of people. It appears to be a meeting.

They are indeed speaking English. Many of them are already hefting stones, still covered in clumps of mud from the field they pulled them from. A bit apart from the rest is a young man a little older than Morgan, too thin and very dirty. No romantic medieval life here: most of these people look weary. Many of them are smudged with torn, dirty fingernails. Most of them are missing a few teeth. Their hair is not so much in strands as in tangled mats.

Morgan can hear what sounds like a laundry list of accusations, being given by a man standing with a heavy hand on the shoulder of the young woman. She can tell he's probably the village smith: one of his arms is markedly larger than the other.

"...strange words...touched her and made her sick...pissed out in the field and the wheat died..." are some of the words she can catch as she draws near.

[Morgan Lake] It doesn't take much for Morgan to realize they're talking about witches - how long it will be before someone mentions the evil eye or similar is anyone's guess. And if she remembers correctly, witches in the middle ages were burned, or stoned, or drowned, or other unpleasant things but for where they were revered as wise women, generally by pagan holdouts who were also scorned as witches by the ignorant and fearful.

It's a lot more difficult to explain things like drought when you don't have a way to measure the various things that contribute to weather, after all, and superstition and stupidity (or at least a lack of education) have ever gone hand in hand. It doesn't make her particularly keen to talk to these [gross, dirty] men, certainly, but Morgan's long been one to do what she has to do.

There are no pains taken to stay quiet - she's not trying to sneak up on the gathered workers, to scare them. She simply wants to know . . . "Pardon me," she says, clear of voice. "Is there an . . . um . . . an inn nearby?" Inns are good places to information-gather if the stories are to be believed.

[the court] The man stops talking, and then suddenly all eyes are on Morgan. They take her in: her odd appearance, her unbound hair, the book beneath her arm, that she's an unmarried girl traveling alone, and some of them are shifting uncomfortably even before she has finished her sentence.

The young man who they are accusing is looking at her too, and he seems to have some odd movements of his hands: he flaps them, he rubs his palms on his pants. A tic, perhaps, and a forgivable one given how frightened he must be. He doesn't speak. His adam's apple bobs in his throat and he looks from face to unfriendly face.

The man who was giving the list of the accusations gives the boy a look, as though he's summoned Morgan from nowhere. As though he's to blame for her appearance.

"Ain't one," one of the men finally says to Morgan. "Don't get a lot of people coming through here anymore."

[Morgan Lake] At first, she'd thought they were talking about someone else - now it occurs to her that they aren't, that they're accusing this strange young man (who is, to her, no more strange than the rest of them) of these things, of witchcraft. An eyebrow raises, and she is haughty - unmarried, clearly educated. This can hardly bode well, though her confidence? It tends to instill similar in others, or to wither it away.

"Well then. Might I borrow your friend? Someone to walk with would be nice."

In this particular case, she's hoping for the latter at least in the boy's attackers - and she's also testing again, feeling with other senses than just sight and sound and smell.

[Per + Aware]
Dice Rolled:[ 5 d10 ] 3, 3, 3, 3, 9 (Success x 1 at target 6)

[the court] [aaaand pause!]

Wednesday, April 7, 2010

"And you are doing that....here?"

[Basil Gillingson] Basil listened to the silent tick of time go by as he reads. A book sat in his lap, the leather skin enveloping its contents having a tinge that resembled more paler flesh then the hide of a cow. Basil had long adjusted to the origins of the book and he felt it was best that it was in his hands rather then a misguided zealot or a foolish apprentice. It was but one of the archives he possessed personally. He paused, fingers reaching down and delicately turning the page to prevent further wear on its pages. he even cradled the spine so the book did not sink into itself and cause unnecessary bending as he looked at the scrawled runes on the page.

Codified symbols bearing the high speak of Enochian and runes primary to the Umbrood were etched into the pages...the sheaves made of fine material that would likely withstand a century more before they could only be turned delicately if damage was to be spared of the tome. For most, the mental constant tick...the subconscious feel of the second hand's turn would drive someone mad. For Basil, it was clockwork...it was precise. It was as things should be. He sat in the common area as he read, dark eyes taking in the pages.

[Morgan Lake] She's quiet, the redhead who comes in - she's also tall, and young, and moves with a confidence that few in their late teens (because she can't be any older than that, judging by looks) hold. There's something in her brown eyes, should one look, that's vaguely haunted - memories worn not on her sleeve, but in every thought, in every glance. When she'd arrived is anyone's guess, but she arrives in the sitting room now, holding a book (of course) and moving for a table [study desk] with it. There's a laptop bag slung over one shoulder; the book is set down with care first, and then the computer pulled out and started up.

Basil has been noticed, certainly, and is eyed curiously every now and then; given so much time spent with Ashely, Morgan tends to have at least an idea who most of the mages in the city are. This man, though, she's never seen. Carefully, though, considerate, she stays quiet and doesn't interrupt his reading.

[Basil Gillingson] Basil does not continue reading at Morgan's entrance. His fingers touch the sides of the cover and it closes with almost a crack of sound as he snaps it shut. The dark eyes stare out from behind the hawk nose as he turned to look at Morgan. The eyes stared silently...almost accusing as if the apprentice were some sort of spy.

"Do you often interrupt the studies of others with your fidgeting? Or do I have the honor of that displeasure?"

[Morgan Lake] An eyebrow raises as she looks at the older man - she's been quiet and considerate, and there's a hint of irritation at this question. One corner of her mouth quirks up, though, and she answers plainly enough. "Sorry. I'm done now, but if that was bothersome, I suppose the tapping of keys will be more so and I should go somewhere other than the common area to work on my paper."

Okay, plainly and a bit snarkily - but not too bad. Just enough attitude and spark to be interesting, but not insubordinate.

[Basil Gillingson] "....paper?"

He pauses, his lips pursing as he stares at her.

"...a college paper? As in mundane academia? And you are doing that....here?"

The older man stared now, lips pursed, the eyes continue to boor holes into her and from each new little insertion of a question...each inquisition of information...the Quaesitor was forming an opinion...a decision...a judgment on what to think of this young one.

[Morgan Lake] ".....no." It's flat, that, and her face is becoming less friendly by the moment. "I don't start college classes until the fall. I suppose 'abstract' or 'brief' could have been more appropriate, but would have equally mundane connotations and have gotten a similar reaction."

She is not defensive, and has not folded under the intensity of his [judgment (I will not be found lacking)] gaze; she stands calmly, easily, as comfortable in her skin as an eighteen year old is likely to be. She's attractive enough, athletic, and there's an intelligence clear in her eyes, and a quietly studious nature under it all.

"If I were working on something for that, however, I'd be like any number of other students and find a convenient coffee shop or library. Now, I can't help wondering. Do you often interrupt the studies of others with your cross examinations, or do I have the sole honor of that displeasure?"

It's amazing how polite she can sound, even mimicking his words and tone back at him.

[Basil Gillingson] "It is my job to question others. I am Initiate Exemptus Basil Gillingson bani Quaesitor, Walker of the Tartan Pit, the Seventh White Lightning Strike of Jorvika, Jupiter's Prodigy, and Thrice-Proved Scion of the Halls of Rezhark. I am a judge, jury, and at times....an executioner to the errant, the disgraced, and the fallen. No one is above that speculation or inquisitions. That is who I am...that is what I do. Do you have a problem with that?"

He asks....the question now posed at her like a sword offered to her throat as if he would strike her down for the wrong answer...an insolent answer...or even an answer he might not like. It would seem that there was another Hermetic now come to the city.

[Morgan Lake] "Mmm," she says, non-committal. "I suppose it's a rare few judges who can keep their work completely to the bench, especially if they've been doing their job as long as you must have been."

Yes, she totally did just call him old, in that very proper and polite sort of way - who knew she could? It surprises her, honestly.

"I'm Morgan Lake, apprentice to Adeptus Ashley McGowen bani Tytalus, The Watcher in Darkness, Devourer of Knowledge, Scion of the Burning Tower, Herald of Endings, Chosen of the Great Serpent. And, while I have no problem with you doing your job? I do find it rather irritating that I'm not yet working on my paper."

The last is with that smirk, so full of teenaged arrogance, so certain of herself. She is an apprentice, yes, and there is the respect that should be there when speaking with a magus of higher degree, but that doesn't stop her from answering in such a manner. She is, quite simply, being honest.

[Basil Gillingson] "Ah....you are under McGowen. That explains -much-."

Basil said, that sardonic tone in his voice...the way he says Ashley's last name rolled off his tongue like he had just eaten something he detested and yet was not so crude to spit it in the cook's face.

"And the paper you are so committed to entails what?"

[Morgan Lake] It's almost comical, the way brows rise and eyes narrow; Morgan doesn't like hearing those words spoken of Ashley, in that tone. She doesn't comment on it, however - simply tosses her head (and thus that long red hair) in a manner not unlike a well bred mare. Already, she holds a measure of Hermetic haughtiness, this apprentice does.

"Applications of Ars Mentis at varying levels of knowledge, particularly in a courtroom setting."

It's the best way she can think of to not hate it (be afraid of it); list its benefits to the goal she's had for herself almost as long as she can remember.

[Basil Gillingson] "Mmm....you plan to use your arts within a courtroom then?"

He says offhandedly, this question not nearly as direct or inquisitive...almost as if a lure to pull her into conversation rather then dismissing so easily. It had other purposes, but primarily, it was the lure to talk.

[Morgan Lake] "Not necessarily. But they'd certainly come in handy in many ways, at many times. Making sure the guilty face the consequences of their actions and that the innocent go free, and so on. And I do fully intend to be in a courtroom after I finish law school and pass the bar."

There's a determination there, a steel. It gives the impression that if anyone can make it to that point, Morgan can.

[Basil Gillingson] "I see. One must be careful though. If you abuse the ability to ferret out lies with your Will...it goes from being a cherished and well-earned talent to a crutch leaned upon because your own skills are weak. And with abuse....comes further abuses. One day, its seeing a lie...the next...making someone feel guilty when there had not been guilt before. Or making an innocent man guilty because you think he is the one...he must be the culprit."

Basil looks to her.

"Do not think that by acting as a champion of light...that the ink of darkness will not turn your cape gray."

[Morgan Lake] "Of course. Those are only two potential uses. There's also the simple expedient of enhancing one's natural charisma," this is vaguely amused, as Morgan doesn't consider herself particularly charismatic, "which enables one to better get across one's point. Which could well be invaluable for a lawyer. Or the easier organizing of one's thoughts to form a stronger argument."

She shrugs, wry now.

"There are lots of ways it could be used. I'm looking for precedent, is all."

[Basil Gillingson] He just nods some before his fingers come to rest on the strange leather tome that he held...eyes then staring once more at her and then he did something...offsetting. He gave a smile. But there was no life in it, no true strength behind it. It was mirthful...it was false.

"A Hermetic lawyer...how nice. Are you planning to join the Quaesitor?"

[Morgan Lake] That . . . actually gets a scowl. "Smiling's great, really. I like smiling, and laughing is even better. But I don't like it when people are fake." Sassy, she, this willful apprentice. The rest, though, gets a shrug.

"It's been mentioned as an eventual possibility. From what I understand, the prerequisites are things I intend to do, anyway."

[Basil Gillingson] "It takes more then a want for justice. It takes the Will to also exact justice."

The British tones roll from his voice as he looked at her.

"Do you think you can do that, eh? Exact justice?"

[Morgan Lake] "I would find it distasteful sometimes, but I'm sure I could," she says in cool, easy tones. "And lawyer is only a start, and my eye is for policy. I'll be going further than attorney." There wants to be a 'so there' or 'thank you very much' appended, but the girl manages to stop - just barely. Still, her eyes snap with it. Her posture speaks of it.

[Basil Gillingson] "Very well. A test then. You have just found a magi who has fallen from the path....they have used corrupt rotes and hidden this from their Tradition. They have even spread this foul plague of ideas to others. You can drag it out or you can take initiative right then and there to extract the information from them. But alas, they have mental shields. How would you go about doing this?"

[Morgan Lake] "Well, the first decision would be whether to draw it out or take immediate action - and, in this particular example, I think the best choice would be immediate action. If, by the time this came to be, I'd learned enough Ars Mentis, I would try to get past his or her shields, and if I hadn't . . . not to sound like a bad movie, but there are ways of making people talk. I would find a weakness, and press until it gave."

This is all rather matter of fact - sure, there could be further questions of methodology, but this girl seems like an 'any means necessary' sort of person.

[Basil Gillingson] "And exactly what method would you use to make him do so?"

He sets the book down...his fingers pressing almost like in a prayer before him...fingers bridging together. For a moment, there was the faint sound like being next to a Tesla Coil...the odd electrical sound when it meets ozone and flairs for just a moment.

[Morgan Lake] "That would depend on the weakness, really. There are a great many ways to exploit most of them, but in the end, I suppose they all boil down to torture." To conditioning. This gives her momentary, internal pause; something brief and barely noticeable flickers across her eyes, then she shrugs. "It's not a judgment call that can really be made without more specific examples. I mean, what were the corrupt rotes? How far have the ideas spread? Is it known to whom, and can these others be found without the fallen one? One wouldn't want to press too far or too hard if one doesn't have all the information at hand."

She's thoughtful, then, and adds, "It might be best to befriend the fallen one and find out everything one can from him or her before proceeding . . . if there's time, of course. But then, one runs the risk of being turned oneself, or being caught out as a spy."

[Basil Gillingson] "For the moment, we'll keep the questions focused to torture. You feel that you would be capable of handling such methods? If you'll excuse me...I do think you're not exactly qualified to be a good judge of self capability in doing such."

Basil let the false smile stay...the sardonic expression as if he knew things she would never know. But he also had quite a bit of time on her in comparison.

[Morgan Lake] [Rolling Char + Performance for my Ragabash-skin! Alas, poor Kemp. We knew him well.]
Dice Rolled:[ 5 d10 ] 4, 6, 8, 9, 10 (Success x 5 at target 6) [WP]
to spider

[Morgan Lake] "I think, quite honestly, that I wouldn't be right now. It's one thing to talk of their potential necessity, and a completely different thing to actually enact these methodologies. And, while I've been exposed to literature on torture methods of various societies - physical and otherwise - reading is as different from acting as talking is. However, that may well have changed by the time I find myself in a position where I'd need to make such a decision."

Never mind the voice in her head that says she hopes not. Never mind her mother's voice speaking of things she'd said when she was younger, before all this came about.

[Morgan Lake] [Rolling Char + Performance + PB for my Ragabash-skin! Alas, poor Kemp. We knew him well.]
Dice Rolled:[ 9 d10 ] 2, 5, 7, 7, 7, 8, 8, 9, 10 (Success x 7 at target 6)
to spider

[Basil Gillingson] "An astute answer. Allow me to give a stated fact. Looking at you apprentice....you do not have the cut...the gip...or the measure to do such things. Talk is merely bluster. Books can only teach so much. And many...many Hermetics shy away from the task when its finally before them. Torture is not an eloquent method...nor precise. Even with understanding it, there can always be a slip. And then you have a death upon your conscience. The trick is...to lose a little bit of that conscience so it doesn't disturb you as prominently. On the other hand...if you go that route..."

He walked...almost seemed to pace and circle her position as he talked with the voice of wisdom...and probably more chilling...experience.

"..you have the problem of not coming back. Your judgment becomes skewed...you become more likely and prone to the direct route. And that makes you less about justice and more about results."

[Morgan Lake] "If I may be so bold, Initiate Exemptus," still so polite, but now it's cutting - and still she stands straight, with a pride that not just anyone could hold in such a situation, "you do not know me at all. And, as I'm fairly certain you haven't prodded at my mind - please don't take that as an invitation - you're making this judgment based solely on my appearance and a half an hour or less of conversation. I'm eighteen years old and have been Awakened for all of five months, and while that may sound like an excuse, lack of experience is generally a viable one."

She watches him and yes, there are signs of temper there - but mostly, it's in how very calm she is.

"There are already things I've done, or that have happened to and around me, that I can never come back from. And I've always been prone to taking the most direct route possible to any end. I fail to see how that's a bad thing."

[Basil Gillingson] "Its not...I am merely pointing out that once you go the path of doing things in grays...you can quickly sink down to blackness. And then...you get to meet grinning men like myself. I will need to suggest to your mistress that perhaps some learning on the last War might familiarize you more with the aspects of the Quaesitor and how dedicated and how far we have gone when it comes to matters of corruption. I am sure being of House Tytalus, she can readily inform you of the processes."

He breaks off from the orbit after a moment...before he moved to take up his book. He rubbed his hand on the cover once more before looking as if he were about to leave.

[Morgan Lake] Again, Morgan's eyes narrow - she's seldom so displeased as when he speaks poorly - or even seems to - of her mentor. Ashley is, after all, the closest thing Enid has to family left. That she can access, at any rate, regardless of father sightings and mothers she could well reach with a phone call if she so desired.

The latter, though, is hardly considered family at all any more, other than in the nostalgic sense. And the former would quickly have her back in the grasp of the former, even if through no fault of his own.

"Thank you, Mr. Gillingson. I'll have to look into it."

[Basil Gillingson] "I'm sure you will. Scholars never can keep their noses out of things. Good day, apprentice."

He doesn't even call her by name...just title as he tucks the book beneath his arm and makes his way out.

Friday, April 2, 2010

Coffee and Conversation

HERE THERE BE STUFF THAT'S OVER ON EJ - HIE THEE THERE

[Morgan Lake] "It's not so bad, I suppose, living with Solomon. The house is big, so we mostly miss each other." She says, as if she doesn't miss the boy (younger than she, as far as she can tell, and more advanced which makes her envious) at all. "I study, and practice, and I have free reign in the kitchen." She also makes sure the place is clean to her standards, which are very different than that of most teenaged males, particularly those living on their own, but that's just because she needs it to be so, not for any other reason.

The second question actually gets the first hint at a smile - one corner of the girl's lips curls up uncertainly, as if it's half forgotten how and might get a sprain int he process. "It feels a lot like school, with some practice thrown in. I like it, and it suits me." Of course, she's only an apprentice as yet - she hasn't been subjected to the politics and pomp in person, so this comes easily, what she says. Who knows how she'll feel if and when that changes.

"If you'd like someone to come fill your house with far too many baked goods, I'd be more than willing to oblige. Just let me know when."

[Kage] [spirits, spirits, everywhere? What's that tangling in Enid's hair? 3+1-1[practicedrote]-1[foci 'cept can't minus another one, but you know]
Dice Rolled:[ 2 d10 ] 4, 10 (Success x 2 at target 3)

[Morgan] (And, the Kage post before that:

[Kage] "The girls," Kage replies, cupping her chin in her palm. "Just after you came home. And then again, after you moved in with Quicksilver. How is that working out, anyway?" Her eyebrows rise (evidence: question), and there's nothing at all suggestive, although maybe she's concerned at the idea of pretty little Enid all in alone in big bad Solomon Blackstone Quicksilver's invisible monstrosity of a house. "And, you know. How's it feel to be following in the footsteps of the great Hermetics?" How's it feel to be a Traditionalist?

"I want to know everything, Enid," she says, and this might be the last time Morgan Lake hears Kage R. Jakes ever say the name she was born with. Her voice is low, an easy, controlled thing; cautious, though; a shadow, private, a cloister (sh). "But it's what you want to talk about that's the important thing here. I would appreciate the answer to at least one of my questions, though." A pause, and she considers making that two, because Enid's got something hanging around her, something that tickles at the back of Kage's neck, something she's dimly aware of and wants to investigate (not yet, this ifrst),

"My kitchen was destroyed, and I want to re-Christen her with good food. The kind that is baked. By bakers who are skilled. Which means, bakers who are not necessarily myself."

[Morgan] It's strange, really, to find the girl so marked - in a way that can only be seen when one looks beyond the veil, of course. It would hardly do to have this sort of thing easily found. There, on her sternum just below her breast, is one half of a glowing red heart. The left half, to be exact.

[Kage] [WTF IS THAT? Occ+Intel Diff 7.]
Dice Rolled:[ 6 d10 ] 1, 2, 6, 7, 7, 10 (Success x 2 at target 7)

[Kage] [Wait, go ROLL CRAZY]
Dice Rolled:[ 2 d10 ] 8, 10 (Success x 2 at target 4)

[Morgan] [Per + Aware!]
Dice Rolled:[ 4 d10 ] 2, 4, 6, 6 (Success x 2 at target 6)

[Kage] "What've you been studying so far? History of, etcetera?"

That tickle in the back of her mind -- that knowledge that there is something Other, hanging around Enid -- is what causes the Orphan to, quite calmly, place one hand under the table, slide it into her pocket. There's a ring, in her pocket. There's also a businesscard. It doesn't matter to the Orphan which one she cuts herself on, but it's the ring this time: the ring, sharp-cut gemstone eyes, and there isn't a lot of blood spilled (just, enough to be helpful). Kage takes her hand out've her pocket and presses the (cut [small cut]) bleeding thumb against her eyelids, smearing the paltry offering there (you can't even see it). Then -- and Enid will feel this: the bright beloveding [burning (ardent)] that is Kage's magick, subsumed by the withering [draining away] of: twins: spirit -- she can see more of the world.

Like: the half-a-glowing heart on Enid's chest. Kage's dark eyebrows rise and her expression is best described as: what in the. Not panicked, though; not afraid. Just: what in the. Very surprised. "Hmm," she says. And then, "So, I've gotta ask."

[Morgan] Enid's eyes narrow at the Other she sees, which is, in some ways, not so interesting as the Other Kage sees. She sees no heart[shaped box], a-glow or otherwise, but see sees a flare of magic, and this is displeasing. It doesn't feel intrusive, though, so there's that; had it been, there'd be more than a shift of her shoulders to a defensive set, more than her arms crossing in front of her. Still, it's the first question she answers first.

"History, politics, laws, that sort of thing. Some practical work as well, especially since." Since she got back home from China, and whatever happened there - goodness knows, she's not one to talk about it unless pressed. She's happy enough to let it go unmarked, but for the odd occasion she can't help crying over it, over wanting what she'd thought her family was, over wanting to go back to her old home, her old bed, her father's house.

The other, though, gets a raised brow, and a tightening of that defensive posture. "Ask what?"

[Kage] "What kind of truck have you been having with the spirit world?" The question is simple, and couched in a low voice (wax, tallow; a candle, burning down). "You've got something on you, right here," and she scratches her breastbone, just beneath it, where the broken heart (or best friends forever spiritual marking from who-knows-what) glows and burns. She points it out like she'd point out a mustard stain, but her gaze is intent, and it lifts from that spot (X marks the) to Enid's eyes.

[Morgan] Enid blinks. Once. Twice. Thrice. "I . . . um. I haven't, I don't think? That's not one of the ones I know." There's a pause, and a breath. "Except . . . well, I saw this kid die. And then he was in my dream, and he kissed me."

This is with a furrowed brow and wrinkled nose - not distaste, exactly, but confusion - dead-is-dead-but-not, ghosts-and-gods-are-real, spirits-are-manifestations-of-Words, and other, similarly complex philosophical constructs. She hasn't started with the reading that eases the grasping of these things yet, though being constantly exposed to her father's line of study and teaching helps somewhat. At least as much as her mother's scoffing hindered, at any rate.

"But I didn't do anything. I can't, not yet."

[Kage] That mark didn't strike Kage as something a wraith -- especially not a new-dead one -- could put on a person. Even if it was the person who saw them take their last (mortal) breath. Still, Kage looks consideringly at the younger redhead. Her hand is under the table again: this time, she's sketching out something on her pants, some rune, some diagram that'll help her get the clarity she needs to really open up (no music, see; no touch, right now). The Orphans' magick is a hodgepodge of occult and pulp fiction: of true knowledge and fairytale knowledge. There's no entropic taint ; no death (destroy the world) to the heart. It's just: there. She's almost getting used to it.

"They can do things to you," Kage says, after a brief pause. Enid says that the boy was in her dream and he kissed her, and Kage shakes her head, slightly: "Do you remember what else happened in the dream? Did he kiss you there?" Beat. "...How did he die?" The sympathy isn't the first thing that comes, but: it comes. It's tough to see that kind of thing, and Kage knows it. Kage doesn't like seeing it herself.

[Morgan] ".....no, you think I let weird emokids kiss me on my chest?" It's affront, that, and not louder but certainly more intense. "He kissed my lips, and if he hadn't surprised me, I would have kicked him or something for that. There was this concert-thing, at a church. I talked to him there, tried . . . he was stupid, that boy."

She frowns, glares even - if she'd had any idea she'd still be talking about it after, she'd never have gone.

"There was an invitation in the mail that felt all . . . I don't know. It didn't register as weird at the time, but I wanted to go to the concert, even though it was at a church in a sketchy neighborhood. So I went, and Nathan and Kaya," such scorn! Such distaste for the Dreamspeaker and the Cultist, "and Anna were there. Things felt weird, so Anna and I sneaked around while Nathan and Kaya were more direct. We didn't find anything, except then, at the end, Kaya was all in near-hysterics about skeletons and stuff, and I found out that the kid who was singing . . . I don't know, made some weird kind of deal. He wanted people to see his last performance," here, there's near amusement at the melodramatics, except that it had been, "so he wouldn't die alone. He shot himself."

There's a pause, a shrug. "I tried to talk him out of it, and it almost worked. Kaya did something to the gun and it blew up when he pulled the trigger instead of . . ." There's a swallow here, and an overly long blink - trying to clear the image from her head. "Anyway. Nathan ended up shooting him, because Kaya couldn't heal him enough. And it was nasty. I think he showed up in my dream the next night."

[Kage] "We are talking about a dream you had, aren't we?" Kage replies, mouth curving (amused) when Enid's response is so affronted. She doesn't say anything else, doesn't ask for any clarification of just what happened, until Enid's done with her story. The Orphan just listens. Anna is a new name. Nathan and Kaya: she knows them of old, but doesn't grin, or smirk, or anything when the scorn Enid says their names with pretty much shines at her. For one second, her gaze flicks to the chair at her right, empty of anything but shadows, maybe a speck of dust, pollen, a flower petal. It's spring, and they're at a college campus.

"That sounds really terrible. What do you mean, things felt weird? Or ... made a deal, huh? With what? Do you remember?" Her mouth quirks, again. "Sorry; I don't mean to be all Lois Lane on you. But that's really odd. You didn't think that maybe him showing up in your dream was more than a -- was it a nightmare? You didn't think, hey, maybe this is his ghost?"

[Morgan] ".....why would I think it was a ghost? Even if I believed in them - or, well, did. I don't have much choice in that now - I didn't know . . . aren't they supposed to knock things off of shelves and make cold spots in rooms?" There's a shrug, and she's clearly a product of modern times - disenchanted, jaded. And also of her Technocrat mother. "I didn't know they could come into dreams until after it happened. And Ashley's helping me learn to keep unwanted stuff," and people, "out. But she can't teach about the other."

She's quiet for a moment then, sips her latte, looks at the remains as if she might glean something important from the froth. "I asked, but he didn't say. It all sounded like Faust to me. Or 'Devil Went Down to Georgia'. And I said as much. But the dream . . . I don't know. It wasn't really a nightmare - he was playing piano and singing 'My Girl', at first. I sang that at him when he was being all emokid."

[Kage] "They're supposed to do a lot of things. Or rather, they aren't supposed to do a lot of things. You're a smart girl, Enid. You know the world isn't easy. When I first opened my eyes, I saw a lot of that kind of thing, though; it was one of the first knacks I learned. The veil kept being drawn; it was pretty terrifying, sometimes. But: Freddy Kruger? Hi?"

And then, Kage is frowning a little. The frown touches her expressive [eloquent (tarnished up)] eyes. "Do you still have that invitation?"

[Morgan] "Freddy Kruger's a character in a bunch of mediocre slasher flicks. A figment of someone's imagination." That's with a shrug, a roll of her eyes - the patented I'm-seventeen-clearly-I-know-everything expression - and she moves on to the rest, with a brief, unreadable look flickering in her brown eyes. "Of course I know the world isn't easy. And . . . you already know the first trick I learned."

The last, though, gets a quirk of her lips. "I gave it to Ashley; it's at her place."

[Kage] "Which is my point. Try to keep your mind open. I mean: be wary, don't think just because someone's wearing aluminem foil, it really is keeping all of Them outside of their minds. But don't discount it, you know? And if someone dies in a creepy, magickal way after making a devil's deal, then they start to show up in your dreams, wonder about it. I often get information from my dreams: useful in the waking world, too. It's nice; makes me feel like I'm not squandering my time when my eyes are closed." She does know the first trick Enid learned. She doesn't bring it up, doesn't look like she's overbrimming with sympathy, but there's acknowledgment there: the way Kage looks at the teenager. Prep Ranger, the Brat. Poor thing. "Heck: even Unicorns could be possible, some way, some how." And Enid gave Ashley the invitation. This causes Kage's mouth to quirk, again. Draws out the laugh-lines around her mouth, her eyes. Kage looks young, sometimes, even though she's got such poise. "Good. Don't much like Nathan and Kaya, hm? What's Anna like? I don't know her."

[Morgan] "Kaya's a drama queen and Nathan's an idiot," is Enid's succinct summary of the two, but mention of Anna gets a smile. "Anna's cool, though. Also a Dreamspeaker. Made sure I got home okay after everything with the emokid. She's nice." 'Nice' isn't exactly high on Enid's priority list, but still, it's a good quality to have - the young Hermetic acknowledges this easily. She doesn't always hold it, but she tries (and she used to a lot more of the time, honestly). "You should meet her. And possible is one thing - sure, anything's possible. And I guess that apparently means it is, somewhere. But still . . ."

It's complicated, and Enid doesn't get it all - this frustrates her more than she's likely to admit, ever, though that doesn't mean those she's around the most can't see it in moments like this, when she can't quite parse something or another. (Also 'poor thing' would get a frown and a haughty toss of her head, but that's neither here nor there.)

[Kage] It's complicated. When Kage first met Enid, Enid said those two words all the time: It's complicated. Hidden third word: It is complicated. She said it about her family situation and she said it about her school situation and she said it about her friend situation and she said it about everything that came up. It's complicated. This time, she doesn't say it aloud; maybe she's internalized that lesson, no longer thinks that things can -- or ever will -- be simple. Either way, maybe Kage notices the absence of those words. Maybe Kage doesn't. She does notice the ellipses, though, as clear as if they were floating in the air, and what she says is this,

"But still. But still what? What you think will, one way or another, define what you run into. What the Order of Hermes thinks will define what you run into. The world's definable: at least there's that. All the mad, crazy shit: it all has names."

[Morgan] "Names are important. Words are, too," she says, and her brow furrows - she still has to find hers. Her Word, that is. (And, at seventeen? Everything is complicated - or seems to be. Add into that the oddness of being a newly awakened Willworker, and it gets exponentially more so.)

"But still . . . I don't know. It's hard to wrap my head around it, I guess; it doesn't make sense. I mean, I get emotional resonance - most places have it, some more so than others. And if that's what a spirit or ghost or god or angel or whatever is, it kind of makes sense too - but Ashley says there's more to it than that. That . . . I don't know, that enough people conceptualizing the same thing makes it so, somewhere. Which obviously works, because those Smart car things used to be just someone's idea, you know? And then someone else came in and added their thoughts to it and so on, until it got manufactured and marketed. But that seems . . . no, I guess that kind of works," she finishes, musing.

[Kage] The red-haired woman listens to the red-haired girl and doesn't seem to be uninterested or even confused (or anywhere near as confused). Kage is an Orphan: she has no Tradition she follows, no set of rules acknowledged by anyone else but herself; still, she seems to be a steady creature -- careful, arrogant (proud) maybe, someone who knows who she is and how to work to re-define the world. "Why can't a spirit or a ghost or an angel or whatever make sense on its own? You believe in blue whales, don't you?" Then Enid talks about the Smart Car and how it came to be. The Orphan listens to that, too. And then she says: "Mm. Yes; but that's a pretty narrow way to look at the reality of possibility -- no." She corrects herself. "Not a narrow way. Just: a rote way; just: using the vocabulary of science. Which isn't necessarily wrong. Do you see magick as magick, Morgan? Or Elements? Tempers? You're jacked into some truth: outside've it all? Science?"

[Morgan] "When I first started talking to Ashley, it was mostly in terms of physics and forms of energy. But my logic there kind of flounders and fails - I did alright in math and science," better than, really, but, "but that's not my strength. It works better if I think about it as cases. 'E . . . Morgan v. Ars Spirituum' or what have you. With precedent - or without, but that's rare - and the whole thing. I spent a long time in Mock Trial and Debate," she adds with an amused smirk. "It's still rote. But there are groundbreaking, world shaking cases all the time. And they'll come to me, and I'll win them."

There's a pause, then, and a sip of her now cooled latte. "I have to, you know? At least most of them. I have to get better or it's all kind of . . . I don't know. Pointless, I guess. If I don't make it, then the things I've done are even more . . . indefensible. At least if I do, they've served a purpose. Which doesn't make it alright or anything, but . . . reconcilable? I think that's the word I want."